Nightmare On Elm St Unofficial Teaser Trailer

fakefreddyWhile we wait for some decent (nay, any) images or juicy info to pour in from production on A NIGHTMARE ON ELM STREET (2010), let me direct you to this video below, an unofficial FX concept pitch trailer by one Christopher Johnson.

It was first posted mid-March, a little late in the game to make any difference, which is a shame because the Freddy Krueger in this video? As scary as I’ve ever seen the fedora-hatted villain any time since Wes Craven’s original.

Freddy being perpetually on fire is an inspired touch. I was just thinking today how ridiculous it was that powerful Freddy would keep himself in burnt-mode unless it was some sort of torture-like double-edge-sword of having said power.

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Sleepaway Camp Reunion 3D Pre-Announcement

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Here’s a pre-announcement of an upcoming sequel to RETURN TO SLEEPAWAY CAMP, in 3D! Continue reading

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Scream (1981) DVD Artwork Revealed

scream_dvdA week or two ago we brought you the likely specs of Code Red/Shriek Show’s upcoming SCREAM (1981) DVD which is streeting June 30th, now Fangoria’s Michael Gingold has posted the cover art which is is a good balance between the visual requirements of modern DVD covers and the original primary artwork.

Source: Fangoria

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SPAGHETTI SLASHERS – The Cat O’ Nine Tails

Success usually comes with a price. For some, it is the alienation of their closest friends. For others, it is their downward spiral into addiction and self destruction. For Dario Argento, it was being pigeonholed. His directorial debut, L’uccello dalle piume di cristallo (aka The Bird With the Crystal Plumage), had become an international success and both fans and his investors expected more of the same. Continue reading

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The Do-It-Yourself Giallo Generator!

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I’ve been on a super Giallo kick lately, inspired by Christian’s fantastico retrospective series Spaghetti Slashers. Hitting up films to collect, each more deliriously titled then the last, I hit the logical conclusion when I stumbled on this old fave site, where one click of your mouse creates a fake Giallo title and synopsis. Here’s what I got:

A Bloodstained White Rose in a Silver Casket

Directed by
Stefano Stefani

An attractive girl is murdered with a hatchet in a train station. A musician inadvertently picks up the one piece of evidence that will solve the the killing. When another person is found murdered, he discovers the maniac’s true identity, but is mistakenly gunned down by the police before he can reveal it.

For some fun you should visit the site then paste your your own generated result in our comments below!

The Do-It-Yourself Giallo Generator

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SPAGHETTI SLASHERS – Torso

Whilst the giallo has often bordered on sleazy and misogynistic, usually the filmmakers have been wise to tread carefully when flirting with sex and violence, often avoiding featuring both in any given shot. Mario Bava’s Reazione a catena (aka Twitch of the Death Nerve) had disgusted audiences and Dario Argento’s ‘Animal Trilogy‘ had boasted impressive murders, but these were usually displayed with a level of subtlety and style. Continue reading

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Criterion Releases Proto-Slasher Classic

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On July 29, the Criterion Collection will release Roman Polanski’s proto-slasher classic “Repulsion” starring Catherine Deneuve. This 1965 flick features Deneuve as a paranoid psychotic who loses all grip on reality when her sister/roommate goes away for the weekend. Ceilings crack, hands reach out of walls, a bunny corpse starts to rot, and Deneuve finds interesting uses for a straight razor. Polanski’s first English-language film, “Repulsion” is a bonefide classic. Look for the director in a brief cameo.

repulsion2-1

Disc special features include:

  • New, restored high-definition digital transfer (with an uncompressed monaural soundtrack on the Blu-ray editi
  • Audio commentary featuring director Roman Polanski and actress Catherine Deneuve
  • A British Horror Film (2003), a documentary on the making of Repulsion, featuring interviews with Polanski, producer Gene Gutowski, and cinematographer Gil Taylor
  • A 1964 television documentary filmed on the set of Repulsion, featuring rare footage of Polanski and Deneuve at work
  • Theatrical trailer
  • PLUS: A booklet featuring an essay by film scholar and curator Bill Horrigan

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Script Review Explains Freddy 2.0

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Coinciding just prior to today’s first day of shooting, Moviehole posted a pretty scathing script review of A NIGHTMARE ON ELM STREET (2010) that had me slapping my knee and gufawing till dawn. Not surprisingly, the article is now MIA from their website, or at least was at the time, but we already had a quotation of it ready to post, so onward Krueger soldiers!

And so it comes to pass that one of mine, and “Hollywood Movie Star” Clint Morris’ favorite 80’s horror flicks “A Nightmare On Elm Street” is about to be remade…. I mean, first & foremost, the recent “Friday the 13th” is a prime example of why you shouldn’t insist on rehashing a true classic horror film – so… yeah, look, I’ll be brutally honest, I’ve just finished reading the script for the new “Nightmare”, and to say it’s horrible wouldn’t be fair, because it’s not – unfortunately what it is happens to be a typical “Platinum Dunes” film – a watered down teen slasher film that ultimately wipes it’s feet on the original superior story / movie, and will no doubt be instantly forgettable.

The draft I read is presumably the finished shooting script, by Eric Heisserer dated January 14th and is of course “based” on the original Wes Craven film. Basically, the cannon fodder is introduced at a party in the beginning, and instantly screams out “Fuck me this is going to be an awful raping of your memories”, introducing Quentin, Kris, Dean, Jesse & our hero, Nancy (described as “18, petite, approaching goth”… for fuck’s sake why not just go the whole hog and describe her as a whining emo kid).

Anyhow, it’s not long before our first young teen meets their end as:

Four parallel slashes RIP through Dean’s shirt, as if by
an invisible bladed weapon —

His eyes snap open and he stares right at Kris, half whispering
a warning as his last words:

DEAN
He’s back —

He falls backward off the ledge —

Wow – an invisible bladed weapon you say – hmm, I WONDER WHAT THE FUCK THAT COULD BE? Dude, you’re writing “A Nightmare On Elm Street”… The party scene that opens the film is actually a pretty good indicator of throwing shit against the wall and seeing what sticks – we’re introduced to some mind numbingly boring characters that you will not care about, or remember two seconds after walking out of the cinema, and of course, as the young kids would do, instead of banging each other stupid – they’re holding “Guitar Hero” competitions.

Aw, Hell – anyway, in case you needed a refresher on what type of instrument Freddy uses, here’s another choice moment from a few pages later:

TIGHT ON A BURNED HAND

with bone exposed at the knuckle, as it reaches for
something among the spilled tools…

THE GLOVE.

Like a gardening glove, but with a set of razor-sharp
blades welded onto the back of the hand.

Well bugger me, that’s quite descriptive isn’t it? So, it’s like a gardening glove with blades on it……Let me ask you, why not just attach a screen grab of Robert Englund from the first flick with a big arrow pointing at his hand and a note that says “Oi! This thing here – that’s what it should look like!” – y’know, like, ummmmm. FREDDY’S FUCKING GLOVE THAT HE WORE IN EVERY FUCKING MOVIE! Even if the heads over at Platinum Dunes are all to young to remember the original film, I’m sure they were all pimply faced teenagers when “Freddy Vs. Jason” came out, oh… 6 years or so ago, so I’m pretty sure the detailed description might not be ultimately necessary.

Now the somewhat good part that I was enjoying in the script up until around page 17 is that whenever Freddy was mentioned, it was that “in the shadows” type Freddy that was so kick-ass in the original flick, so I figured – OK, sounds like they are at least going to stay somewhat true to the “scary as all bollocks” Krueger that we all loved, but then of course as another unfortunate teen almost meets their demise in a classroom (complete with a stick figure chalk drawing with red lines down the front of it on the blackboard which Mr. Krueger must have quickly nutted out with all the talent of a four year old), Freddy utters his second line of the film:

FREDDY
Time for a new lesson

Oh joy, how wonderful that they’ve decided to move straight to “Dream Master” Freddy, he of the wonderful one liners and oh so subtle double entendres – but at least they’re still keeping up with the not quite in focus monster angle….., but believe me when I say that the one liners just keep on coming…

Look, ultimately, Heisserer’s script reads like common stock Fan Fiction – if this was coming out under any other title, it would instantly be dismissed as a “D Grade” knock off of “Nightmare” – I can pretty confidently say that this is not going to make for a memorable film, apart from now every time you reach for the original, you’re going to instinctively also remember that they made a crappy version of it 25 years later – the story & characters are incredibly weak – there’s no need for the investigation and drunken confessions of how Freddy became who he is from the original film necessary here, because in this version, Freddy insists on telling each and every teen he tries to slaughter exactly who he was, and why he’s doing it – and the change they’ve made in his back-story is just…. well, it’s boring – in fact, over the course of the 109 page draft, the only scene that truly stands out reads as an almost shot for shot retread of Tina’s death in the original film – hell, even our “Heroine” Nancy doesn’t really have anything to do until halfway through the film from the look of things.

So, short & sweet – this will absolutely fall in line with the other Platinum Dunes films like “TCM”, “Amityville Horror” & “Friday The 13th” – it’s going to cash in on the name, stock it with every CW star under the sun and piss off every person who loved the original – the only saving grace I can say is currently in place here is that Jackie Earle Haley will no doubt fit the Freddy character very well as he recently did with Rorschach in “Watchmen” – but good grief it would be a nice thing for them to cut out all the zingers.

Source: Moviehole Script Review

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Code Red Commit Carnage Candy

Code Red are hitting home runs this year with titles for retro slasher fans to salivate over. The quirky lost slasher NIGHT OF THE DRIBBLER, and indeed – the title so obvious we weren’t sure even when we were beaten over the head with clues – WEEKEND MURDERS! Charge forth for cover art and details! Continue reading

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Proto-Slashers # 6: The House That Screamed (1969)

house

Proto-Slashers: Looking at the flicks that paved the way for Halloween and the heyday of slasher movies.

The House That Screamed (1969)

Someone is killing the students at a private girls school. Sounds like the premise for any one of countless 80’s slasher flicks, but in this case it’s the plot of the 1969 proto-slasher, The House That Screamed (aka La Residencia and The Finishing School).

Directed by Narcisco Ibáñez Serrador, who also directed the essential Who Can Kill a Child?, this Spanish flick is not to be confused with the 2000 US release of the same name. Set in the early 1900’s, Serrador’s film follows the arrival of new student Theresa (Christina Galbó) as she is enrolled at a creepy girls’ school run by the strict head mistress, Mme. Fourneau (Lilli Palmer). Mme. Fourneau has a unique way of punishing disobedient students. Refuse to copy her dictation and she’ll lock you in a room where teacher’s pet Irene (Mary Maude) and her cronies will strip you nude and whip you. Irene and her pals enjoy the power and the punishment far too much, and Mme. Fourneau is a little too sadism-happy herself as she kisses a student’s bloody back saying, “You made me do this.” Not a good sign for the delicate Theresa who is having enough trouble fitting in. Once the other girls discover that her mother is a cabaret singer (code for prostitute?), Theresa is teased unmercifully to the point that she has no option but to run away. Complicating her plan, however, are both Mme. Fourneau’s nice but creepy teenage son (John Moulder-Brown) who has a compulsive habit of spying on the girls, and the psycho who is slashing though the school’s population unnoticed by staff and students, as everyone assumes that the dead girls have simply run away.

The House That Screamed features a solid cast highlighted by strong female characters, prefiguring slasher classics like The House on Sorority Row. Palmer, Maude, and Galbó, also the star of great genre flicks What Have You Done to Solange?, Let Sleeping Corpses Lie, and The Killer Must Kill Again, are all outstanding. The film is beautifully shot by cinematographer Manuel Berenguer and atmospherically and suspensfully directed by Serrador. Each memorable murder is shot in a different style from the previous attack, giving each killing its own feel and style. Like Psycho, there is a shift in audience sympathy, but in House this happens more than once, allowing despicable characters to suddenly become sympathetic. Frequent reference has been made in the genre press to how this film was the inspiration for Dario Argento’s classic Suspira, but any specific inspiration seems to be related only to the gothic atmosphere and the murder-at-a-girls-school setting. POTENTIAL SPOILER: Most entertaining of all is the fact that the ending seems to have directly influenced that good times 80’s slasher Pieces. END POTENTIAL SPOILER.

Though the identity of the killer may not be too difficult to unravel, The House That Screamed is an excellent horror film that is unfortunately difficult to see in North America. Region 0 PAL copies are easier to come across, though the film is offered on a Region 1 NTSC Elvira’s Movie Macabre disc on a double bill with The Maneater of Hydra. Reportedly, though this disc is viewable in a version without Elvira’s jokey comments, the film fades to black any time an Elvira segment is due to appear. Ugh.

I’ve only ever been able to see The House That Screamed on two separate grey market discs that lose the letterboxing after the opening credits, and that both seemed to be duped from the same fuzzy videotape source. I would love to get my hands on a pristine widescreen copy of this awesome flick. And you should too. Enroll in The School That Screamed today to get a crash course in proto-slasher history. If you don’t, Mme. Fourneau and Irene will break out the Cat o’ Nine Tails. You’ve been warned.

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