The Slasher Witch Hunt part 5: John Lennon’s Death Sparks a Backlash

On Dec. 8, 1980, a crazed fan murdered the voice of a generation.  The outpouring of grief occurred on a global scale.  Thirty years later, it’s almost impossible for those of us not yet born or too young to understand what was going on to grasp the magnitude of John Lennon’s death.  In the weeks following Lennon’s death, a wave of anti-violence in cinema sentiment swept across the United States.  Slasher films were already under attack by film critics and women’s groups but now they had Mark David Chapman as a prime example of the type of diseased minds created by these diseased movies.

The first major victim of the slasher backlash was My Bloody Valentine, a film finally released uncut last year.  Director George Mihalka explained how Lennon’s death directly affected how the MPAA handled the film on the special features found on the Lionsgate dvd.  The MPAA refused to give the film less than an X rating until almost all of the blood and gore was removed.  A running joke among slasher fans was the film should’ve been called “My Bloodless Valentine” until the lost footage was finally restored.

Other victims of the backlash included Friday the 13th Part II and The BurningFriday the 13th Part II was a major target because the original film made $42 million during a summer when most Hollywood films bombed.  Like My Bloody Valentine, The Burning is finally available uncut almost thirty years after its theatrical release.  Anything from Italy also went under the knife.  The works of Argento, Fulci, Lenzi, and D’Amato were hacked up worse than most of the victims in the films.

Taxi Driver, while not a slasher, was frequently listed as one of those films that promoted anti-social behavior.  Sure, Martin Scorsese and Robert De Niro are considered major talents today, but back then Taxi Driver was lumped in with Maniac and I Spit on Your Grave as proof only sick degenerates were drawn to and inspired by these films.  Actually, Taxi Driver is the only film mentioned in this article that really did inspire a nutcase.  John Hinckley watched Taxi Driver, fell in love with Jodie Foster, and decided to win her heart by shooting President Ronald Reagan.

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Book Review – Jamie Lee Curtis: Scream Queen

Reading Jamie Curtis: Scream Queen (published by BearManor Media) is like having a conversation with a friend who is fanatical about the actress. Thing is, it’s not like having one of those boring conversations where you wish your friend would shut up; it’s the type of conversation where you’re likely to ask (several times), “And then what happened…?”

Author David Grove has done an exhaustive amount of research, conducting countless interviews with the casts, crews and the filmmakers of Curtis’ early films, as well as ex-boyfriends, members of Curtis’ family, etc. As the book’s title suggests, Grove dedicates the majority of its 492 pages to Curtis’ Scream Queen career, specifically from Halloween through to Halloween II. Between the two Michael Myers flicks, The Fog, Prom Night, Terror Train, and Roadgames all have double chapters dedicated to their making and release. It’s probably the most thorough examination these films are likely to see.

Grove begins the book with background on Curtis and her upbringing as the daughter (along with sister Kelly, star of Michele Soavi’s The Sect) of Hollywood Golden Couple, Janet Leigh and Tony Curtis, and ends with her success in escaping Final Girl typecasting. Curtis’ struggles with her lineage, her unconventional good looks, relationships and career are all included here. As Grove states in the book, one of his goals in writing it was to document “the horror boom between 1978 and 1981.” Add to this the Curtis bio and retrospectives of six films, and you’ll realize that Grove has set some pretty large objectives for himself. Fortunately, Grove is up to the task, and provides an in depth and entertaining examination of each subject.

Some of the book’s most intriguing information, from my perspective, comes in shedding light on the reasons behind some of Curtis’ career choices, and in the details of the behind the scenes info. If you’ve ever wondered why an actress who wanted to escape her Scream Queen persona would do six horror flicks in a row, or why Curtis’ hair looked so bad in Halloween II, the answers are all here, folks!

The presence of John Carpenter and Debra Hill is felt throughout the book, and it’s clear that Curtis sees them as the people responsible for starting her career. Both Carpenter and Hill are quoted frequently here, giving insight on Curtis and the films that the three made together. Hill’s death in 2005 gives the book the air of being the final word on the subject.

Grove, who has written for Fangoria, Film Threat, and Rue Morgue among other publications, is currently in the planning stages of a second book about the Friday the 13th films for FAB Press. In the meantime, for anyone with an interest in one of our genre’s most likeable, talented, and in some senses trailblazing Patron Saints, Jamie Lee Curtis: Scream Queen is a must read.

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Retro Jukebox: Children Of The Corn

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Children Of The Corn Main Theme – Jonathan Elias

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I Spit On Your Cover: Make Your Choice

The remake of I Spit On Your Grave (1978) is coming to DVD/Blu-Ray on Feb 7th in the UK and Feb 8th in the US – practically a simultaneous release. For the Brit version (both formats), Anchor Bay UK are holding a public vote for which of six covers should feature as the sleeve ‘flipside’. Continue reading

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Code Red Alert: Jan-Feb DVD Releases

Release schedule for upcoming Code Red DVDs, via DVD Empire. It’s slim pickings for genre fans, though we’re particularly excited about The Being (1983), which we’ve not seen. Directed by Jackie Kong (Blood Diner), it’s about a toxic waste mutated boy killing residents of his small town. Continue reading

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The Dorm That Dripped Blood DVD/Blu-Ray Details

Behold, the extremely mouth-watering details on Synapse’s upcoming deluxe treatment of The Dorm That Dripped Blood (1982 | aka Pranks | Review) courtesy of Fangoria, who championed the dark little slasher in their magazine with a cover story way back in the day. Continue reading

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Christmas Comes Early: Lost Santa Slasher Unearthed

Our Christmas present to you last year was Thomas Ellison’s investigation of the uncompleted early 80’s slasher Jack M. Sell’s Black Christmas (featured in skit movie Outtakes). We now have a present from Retro Slashers‘ reader Wesley Skelly who after reading the article, obtained the director’s cut and now pays forward the lengthy trailer to us. Continue reading

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Goodbye Mr. Hammond: Leslie Nielsen Leaves Us

Man, I hate celebrity obituaries. They seem overly superficial and obligatory, summarizing a man’s life with a hit-and-run of his Wikipedia entry. So there’s nothing I can contribute of any depth in mourning the passing of Leslie Nielsen except to explain what he meant personally to me, and his entertaining romp in a retro slasher. Continue reading

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Retro Jukebox: April Fool’s Day

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April Fool’s Day Main Theme – Charles Bernstein

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Website Updates (November)

Just because we live in the 80’s, doesn’t mean our functionality has to. We’ve sorted out a number of things. First off, the comments system has gotten an overhaul. No more waiting for post approval – instant gratification is the order of the day. You can now use your Twitter, Facebook, or Yahoo account to log in.

Since the new system required that we be on Twitter and Facebook, we’ve used that as an excuse to slide into the social networks. If you use either, hit us up – all our articles are being cross posted on both daily.

Retro Slashers Facebook

Retro Slashers Twitter

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