DVD Reminder: Silent Scream

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Scorpion Releasing unleash the er, silence on November 24!

Young co-ed Scotty (Rebecca Balding – The Boogens) is unable to find housing on the campus. She finds a vacancy at the Engels’ mansion, now a boarding house for college students. Mrs. Engels (Yvonne De Carlo, TV’s The Munsters) and her son seem nice enough, but it becomes clear to Scotty that something is not right at her new residence. When her fellow borders begin dying, two detectives (Cameron Mitchell – Toolbox Murders and comedian Avery Schreiber, in a serious role) must solve the mystery of the Engels’ boarding house before the body count rises.

Disc Features:
Anamorphic Widescreen transfer (1.78:1)
Audio commentary with writer/producers Ken and Jim Wheat and star Rebecca Balding
SCREAM OF SUCCESS: 30 YEARS LATER
SILENT SCREAM: THE ORIGINAL SCRIPT
THE WHEAT BROS.: A LOOK BACK
Director DENNY HARRIS’ Final Audio Interview
Rebecca Balding Interview
Theatrical Trailer
TV Spot

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DVD Reminder: Train (2009)

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Arriving on Nov 17 from Lionsgate comes this remake of TERROR TRAIN that ended up HOSTEL by way of locomotive (!). Touring Eastern Europe with her college wrestling team, Alex (Thora Birch) attends a debauched late-night party that causes Alex and several teammates to miss their train to Odessa. Her coach is furious, but a mysterious woman offers the coach and wrestlers a ride on an alternative train. The coach agrees, and the athletes, exhausted and hung over, gratefully climb aboard. But the train harbors a deadly secret, and for Alex and her fellow passengers, a blood-soaked nightmare is just beginning.

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Friday the 13th Part III on UK TV – in 3D!

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Slasher fans in the UK are in for a rare treat next week when Channel 4 screens Friday the 13th Part III in 3D as part of its seven-day 3D season. Special specs in an unusual blue-and-orange colour combo are available free of charge from Sainsbury’s supermarkets, so grab a pair (or a pair of pairs!) while they last.

 

There are two chances to catch the movie, showing on Friday 20 November at 10pm and Saturday 21 November at 10.20pm. Here’s what Channel 4 has to say about it:

 

Jason Voorhees is back from the dead to wreak havoc again, this time on a group of friends camping at the woods. Rumoured to be the child that drowned at Crystal Lake 30 years ago, Jason is seeking revenge for his premature death – and sports his now famous hockey mask for the first time.

 

Also look out for a 3D screening of Flesh for Frankenstein (AKA Andy Warhol’s Frankenstein) on Tuesday 17 November at 12.40am, as well as all sorts of offbeat 3D programming throughout the rest of the week. It promises to be an eye-popping event!

 

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Resurrecting Sleepaway Camp IV: The Survivor

s4recSome time back I mentioned some “real world projects” I’ve been up to, and while this one might not be news to readers of the Sleepaway Camp website where I posted this 5 months ago, it might be unknown to some Retro Slashers readers.

I can’t say more right now, but for those interested, there will be some news coming down the pipe in the next few weeks or so.

Stay, as they say, tuned.

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“Rituals” Finally on DVD

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IF YOU GO DOWN IN THE WOODS TODAY, YOU’RE IN FOR A BIG SURPRISE.

First up, a confession… I shamelessly neglected to mention this terrific flick in my “Great Red North” piece about Canadian slasher flicks a few months back. Truth is, it should have been front and centre in the piece.

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“Rituals” is an entertaining 1977 Canuck horror flick directed by Peter Carter about a group of doctors lost in the Canadian wilderness who are stalked by a killer while on a camping trip. Bearing more than a passing resemblance to the great “Deliverance”, “Rituals” generates its own vibe by focusing on the stalking and killing aspects, generating a canoe-full of suspense in the process. Hal Holbrook stars as the, er… Final Doctor(!). Of the slasher films to come in its wake, “Rituals” most reminds me of “Just Before Dawn” (or vice versa since “Dawn” came a few years after “Rituals”).

“Rituals” has had a tragic history on video/DVD. Available on an OOP Astral VHS, on countless awful quality DVDs usually under its goofy alternative title “The Creeper”, and in a perfect and uncut presentation screened from time to time on Canada’s Scream Network, Code Red DVD is finally giving “Rituals” the release it deserves. Struck from original vault elements and presented uncut, “Rituals” will either see the light of day on November 17 (as Amazon’s website pre-order service promises) or on December 22 (as Code Red’s web site says). Either way, “Rituals” is a creepy must-have for those looking for an interesting take on the slasher genre. Stephen King is a fan; with gore effects by Carl (Friday the 13th Parts 2 & 3) Fullerton, you probably will be too.

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The Slasher Witch Hunt part 4: Government Intervention

reddeadIn 1984, the governments of the United States and the United Kingdom had to do something to protect children. Slasher films were no longer content with seducing the innocent in darkend theater complexes. Thanks to the home video revolution, slashers were now invading American and British homes. Something had to be done to protect future generations from degenerating into bloodthirsty killers and sex-crazed rapists due to the unholy influence of slasher films. Armed with a moral authority, the US and UK governments set out to rid the world of the slasher menace.

I wish this chapter of the Slasher Witch Hunt was a work of fiction. A government crack down on slasher films, film makers, theaters, and home video dealers sounds like something that would only happen in Soviet Eastern Europe, the USSR, and China. One would never suspect such storm-trooper tactics in a free society, especially in the US where the freedom of speech is held in such high regards.

In the US theater of battle, Jack Valenti and the MPAA were given an ulitmatum by Washington; either crackdown on the slasher films or the government is going to crackdown on Hollywood. This caused the MPAA to hand out X ratings at the slightest drop of blood. Any movie theater or video rental store allowing children under 18 to view or rent R rated titles faced severe punishment. Business owners found not complying with the government edict faced fines, jail time, or the loss of their business license.

Spurred on by the Daily Mail’s “Ban the Sadist Videos” campaign, the UK really got the fires of censorship burning bright with the infamous Video Nasty era. British censors butchered slasher films like cattle or either banned them completely. Stores selling or renting banned titles had their merchandise seized and destroyed by authorities. At first, the Video Nasties targeted slashers and Italian gore fests, but the zealots soon turned their attention to Hollywood films like Taxi Driver. What started as a witch hunt to destroy “sadistic” videos became an easy way for the UK to protect their film industry from foreign invaders. By banning or weakening foreign films to the point of banality, the UK ensured only UK films would be seen by the general public.

After twenty-five years, the big government arguments against slasher films seem naive. Politicians found it easy to demonize slashers as the villain responsible for all of society’s ills. A willing public allowed themselves to be blinded by such false claims. Teen violence, drug abuse, bad grades, and disrespect towards parents will end if you just let us ban these slasher movies. It’s pure fantasy, of course, but plenty of educated fools were tricked into thinking government censorship is a good thing.

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The Year of SOV: Blood Lake (1987)

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I don’t know why when horror fanatics hear the word “obscure” they think they have to see that movie! I mean, maybe it’s obscure for a reason! It’s kind of a sickness we have, to hunt down the rarest of horror, especially slashers. Goes to prove that we are a passionate bunch. But are we also a bunch of fools? See, I pulled out one of those self-reflective questions.

Blood Lake certainly isn’t the worst film I’ve ever seen. And parts of it are alright. I liked the cast and the killer’s motivation is, uh, different, if a little far fetched, but as a whole, Blood Lake is just not very engaging. Unless of course, randy Tony (Travis Krasser) was on screen.

Seriously. How old is this kid? He’s absolutely hilarious and dare I say it, carries the damn film on his back! Yeah, Tony! And a definite shout out should go to Voyager. You, my friends, are rocking!

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Blood Lake is about six teens (two are practically pre-teens and very well may be, it’s hard to tell), who venture out to a vacation house for a weekend of water skiing, sunning, eating, booze and off-screen sex. Mostly it’s just skiing and eating, with a nice extra long scene featuring the drinking game Quarters (my god, the 80s were beyond words!). After a lot of nothing, this creepy guy shows up and starts killing people. Then someone stops him. The End.

I know what your asking, “But Amanda By Night, what is it all about?” I don’t think I could answer that, but for a film with a whole lot of nothing, there is something likeable about it. For shot on video, it’s well shot, with certain outdoor scenes even looking a bit film-like (at least the daytime shots). The characters aren’t particularly interesting, but are played with some heart – and folks, this is why I love slashers before this current crop of self-aware horror – all of the kids…gulp… get along! And that might be what saved Blood Lake for me (I mean, not counting the uber mulleted Tony!). I thought that although the interaction was not very well staged it still felt pretty normal. They felt like a real group of friends hanging out. And like real life hanging out, it’s a bit boring to watch. But you won’t find any dumb cat fights or asshole behavior and there’s certainly no animosity towards one another.

Maybe the writer and director should have made a teen sex comedy (although they’d need the nudity for that) because they seem to understand the dynamic of friendship. I know, I can’t believe I’m using such a big word like dynamic, but it fits here.

I still say Blood Lake is fine remaining obscure but for someone who is sick of this current trend of self aware irony, this shot on video slasher is a nice retreat. Of course, I can’t sincerely recommend it, unless you love 80s SOV, and if you’re reading this, you know you do!

If you choose to be so gluttonous, you can watch Blood Lake on Veoh! Oh. My. God. You have download something, but I’m on Veoh often and think it’s a decent site. Enjoy!

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DVD Announcement: Shock Festival

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Press Release: A 3-Disc audio and video exploitation extravaganza featuring over 7 Hours of the most rare and unusual exploitation trailers, TV ads and radio spots from the age of GRINDHOUSE CINEMA! Plus original new content inspired by the amazing fictional b-movie world of Stephen Romano’s exploitation novel, SHOCK FESTIVAL! Continue reading

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Night Of The Demons: Story Of An Extra – by Tony Brown

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The story behind me getting the part as an extra in NOTD is when I was scouring the internet for information on the movie. Initially, I had mixed feelings that one of my favorite movies of all time was being remade, but I was still definitely interested. Then, I heard it was going to be filming in New Orleans (which is about six hours from where I live) and THEN…I heard Tiffany Shepis was attached! I’d met Tiffany at the Chiller Convention in May of 2008 and she was really cool. I knew I had to do SOMETHING to get involved…I just had to! Anyways, I was looking on IMDb and noticed there was an e-mail address for someone working on casting extras for the party scene. So, I e-mailed the girl and she asked for a photo and my phone number and I got my sister (Stephanie) on board as well…and the rest is history. I don’t even care that we had to drive so far to be a part of it…I would’ve done it for free.

When me, Stephanie, and some other extras were shuttled from the holding area (a pizza place transformed into a waiting/lunch area for the cast and crew) to Luling Mansion (serving as Broussard Mansion in the film) – it was…surreal. Now, I’m not gonna say the house took my breath away or anything, but it’s pretty impressive. I prefer the original house, myself, but this one seems pretty menacing as well. Those steps leading up to the front door were enough to get you wondering what would happen if you had a nasty spill down them…! I wish I could’ve actually gone upstairs inside the house, but the rooms I got to see and work in were pretty top-notch. Definitely very different from Hull House.

The first scene we shot was a bar scene which involved Diora Baird, Michael Copon, and John F. Beach. We had to mime words and act like we were dancing, passing in front of the camera, and generally trying to make it crowded so Diora Baird’s character had to actually struggle to make her way into the room. There’s then an awkward conversation between Diora and Michael’s characters. I wasn’t present for the scene where Edward Furlong sells drugs to one of the party-goers (which was a friend of my friend Jade LaFont who’s also an extra in the movie) because they were switching out extras from scene to scene. Sometimes, they would use everyone.

So then, I think we did another scene where Diora Baird and Michael Copon were talking by the bar and I was actually instructed to stand in front of a light since I was tall….haha By the end of the night, we were shooting the “cops break up the party” scene where the power is shut off and everyone has to act like they don’t know what the hell’s going on. The cops then bust the party and Tiffany Shepis high-tails it with the money (Stephanie and I are standing very close to Tiffany in that scene, so that‘s cool). Shannon Elizabeth then runs from another room, trying to stop all of her party guests from leaving and realizes that Tiffany just made off with all of the money people paid to get into the party with. We shot that scene, and another variation of it where I actually leave the room where Shannon Elizabeth is waiting, probably close to 20 times! But hey, I was living it up – it was all fun.

The second night of shooting I got to be in some scenes with Jade, but wardrobe was unable to locate the black hockey mask Stephanie had been wearing on her head the night before – so she ended up waiting outside the rest of the time, and that sucked. We did more party-goer scenes, and we got to walk around Bobbi Sue Luther as she gyrated on a go-go box. I know she apologized in advance if her “weave” hit anyone…it ended up hitting me and also knocking a drink out of an extra’s hand! lol

The high point of the evening…and my last scene…was when I was picked to be a bartender in the “sexy room.” This scene only took 2 or 3 takes, thankfully. The steadicam comes into the room and focuses on some couples making out, including two girls fooling around on a couch…and then makes its way to a devil-horned guy with no shirt and a backpack taking a drink from…your’s truly! Very nerve-wracking stuff, considering the camera goes RIGHT past us. We then hurried into another room, since this was a continuous, tracking shot of the whole party (I wonder if it’s gonna be sped up), and this is where Monica Keena, Diora Baird, and Bobbie Sue Luther are just arriving to the party. I’m not sure which take is gonna be used, but if it’s the first one – I’m gonna be bartending and then right in the main room. I hope continuity is covered – Adam said they were good!

The only cast member I actually talked to was Tiffany Shepis. She is such an approachable, sweet, and crazy girl – and it made it easier to hang out with her a little bit between takes and on lunch since I already knew her. I did not bother trying to talk to any of the other cast members because I wasn’t sure how they’d act. Although, I did notice that Michael Copon, Bobbie Sue Luther, and Diora Baird all ate lunch with the extras. Michael and Bobbie Sue seemed very down-to-earth and both had a great sense of humor. I only saw Edward Furlong from a distance, and I almost didn’t recognize Monica Keena in her zombie make-up…she’s so tiny and petite in person!

During some downtime between doing a scene, Adam Gierasch came up to me and said “Man, you’re featured all over in this movie!” to which I replied, “Well, is it gonna mess up continuity if I’m in one room and they cut to another room and I’m in THAT one too??” and he was just like “Nah, we got it covered.” Adam was really, really cool. I got to meet him and Jace Anderson when Stephanie and I went to do our test photos; I think he was surprised I recognized him when we first met – he even gave me a copy of a storyboard from the movie which he asked me to NOT upload to the internet…and I didn’t, so maybe that gained me some browning points! lol

I didn’t get to meet Shannon Elizabeth, but I was standing in the same room as her when we were waiting for a scene to begin shooting. At one point, she came back into the room and apologized if she “pushed through anybody.” She seemed very sweet, and I feel for her having to run after us all those times – but she didn’t have to run down those damn STAIRS a million times! LOL She did not seem at all like what a lot of people say about her… I think people are just jealous.

Shannon Elizabeth and Amelia Kinkade seem to have very different takes on the character of Angela. Amelia was very over-the-top with her gothic wedding dress, while Shannon is a little more current with her Hot Topic-type leather outfit and knee-high boots. The little lines that I heard Shannon recite made her seem a little more bubbly than Amelia as well. After all, she is a party planner or something like that in the remake.

The night shoots were pretty grueling, but I would do it again in a heartbeat… The first night lasted from about 6 PM until 6 AM, and I’m not sure exactly how long the second night lasted since I had to leave early. I cannot wait for the movie to be released, and I hear rumors that it was picked up by a major distributor which might be why the release date was pushed back from October to February of 2010. Either way, Kevin S. Tenney already said they have an obligation to show the film on 1,500 screens in the US!

Tony Brown
The Old Hockstatter Place

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Happy Birthday To Me Screenplay

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According to IMDB there were 3 sets of writers on this, John Saxton, Peter Jobin & Timothy Bond, and un uncredited John Beaird. This script, which popped up on Megaupload, is a direct scan of the screenplay which perhaps tellingly has no credited writer on the cover sheet. What you’ll get a kick out of, no doubt, is the original scripted ending, which is far more logical then the Cheeseball Supreme Deluxo we were offered.

Happy Birthday To Me (47 Meg) – Revised third draft script by Unknown – PDF format

Virginia Wainwright is the newest member of the ‘Top Ten’, a clique of rich kids at exclusive private school, The Crawford Academy. After a game of chicken almost results in a terrible accident, Virginia begins to have flashbacks to a similar incident which claimed the life of her mother and left her with terrible injuries to her brain. When a gloved killer starts to stalk and kill the ‘Top Ten’, Virginia begins to wonder if she is the person responsible for the grisly murders…

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