A Day At The Beach With Code Red

What’s this!? Code Red selling out the slasher crowd to go upscale art house!? No, it’s just another case of the company taking chances in ways other genre companies simply do not. No, it’s not a slasher and heck, it ain’t even a horror, but looking at the spine it’s part of the numbered Code Red collection (I gotta get ’em all!). There’s something charming and admirable about these guys releasing a lost drama film not because the marketplace demanded it, but simply because lost films deserve to be available and seen. That’s my take at least. Code Red now and then dip outside the horror genre – only last month they released a double feature of drive-in titles Between The Covers & Swinging Wives – but don’t expect them to abandon USA horror titles anytime soon: the Director’s Cut of Sweet Sixteen is out on the 14th of  next month.

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90s Slashers: Slim Pickings

Let’s face it, as far as slashers go the 90s was a big fat dud. It’s not like the late 80s were always something to write home about but at least there were some good attempts and honestly, the direct to video market, which was just beginning to take off, offered some potential to the genre.

When I decided to do a top ten list of great 90s slashers I could barely muster up enough titles. How depressing is that? Most of the movies I did consider, and ultimately ended up putting on this list, were the ones that twisted convention and brought something really fresh to the genre – even to the point where I kind of wondered if I actually considered some of them true slashers. I guess that just goes to show that you can’t go home again.

Popcorn (1991) – In a lot of ways Popcorn was a nifty precursor to Scream. It’s about smart film fanatics meeting a masked menace and not living to tell the tale. The fanatics in question are film students who put on a horror show at a local theater to raise funding for their department. They uncover a reel belonging to Lanyard Gates, a supposedly dead cult leader. Well, good old Lanyard might not be dead and might just want to wreak havoc on movie night! Excellent performances, great pacing and a good vibe make Popcorn tops. It also sadly marks the last film that Derek Rydall starred in. I love that guy!

Candyman (1992) – Simply fantastic. One of the scariest horror movies around, Candyman was full of just as much suspense as it was blood and guts. Taking the Bloody Mary legend and then making it even scarier, Candyman was also served by top notch performances from Virginia Madsen and Tony Todd. If only the 90s had stayed this scary!

Happy Hell Night (1992) – This may very well be my favorite movie on the list. It’s obvious this odd Yugoslavian/Canadian slasher had production troubles (one of the actors has a completely different haircut towards the end of the film!), but the overall sense of dread and the downbeat ending make it a movie to remember. Very underrated.

Mikey (1992) – This direct to video effort might not be the greatest slasher film ever made, but cute little tykes killing big old adults is just too good to pass up, especially when the terror in question once played Andrew on the hit sitcom Family Ties! He’s great here as the kid without a conscience. You will also spot a pretty Josie Bissett pre-Melrose Place and Ashley Laurence from Hellraiser.

Jason Goes to Hell (1993) – The Final Friday – In my travels, I’ve come to discover that most Friday fans truly dislike this sequel. I just don’t get it. Sure, it’s not typical of the Friday movies but it’s just so much damn fun. Maybe that was the problem. Admittedly, there were way more laughs than scares, but I still find it an infectious and raucous flick. And the chick that gets axed in half during sex?!? YIKES!

Wes Craven’s New Nightmare (1994) – Absolutely captivating sequel to Wes Craven’s masterpiece, Freddy became less of a jokester and went back to being more of a monster, which stole my heart. The whole real vs. reel premise is divine, well thought out and, yeah, scary. It peters out a bit at the end, but there’s enough contemplative grue to keep you interested.

Scream (1996) – At the time, Scream was being touted as the film that would reignite the dead slasher sub-genre. To an extent, it did but it also killed it simultaneously. Most movies tried this new “self-aware” approach… and failed miserably. Scream was smart, cocky and fun and not an easy blueprint to copy. In some ways maybe it could be blamed for this new millennium’s version of the slasher, which is predominately filled with bitchy teens in remakes. At least Scream remains an effective romp and is now kind of retro! Geez, has that many years passed?!?

I Know What You Did Last Summer (1997) – This one barely made the list but was tons better than the dismal The Night Brings Charlie, so there you go. Actually, when I Know first came out it was a lot of fun to see on the big screen. Slashers had all but disappeared until the release of Scream, so I promised myself that I’d catch as many as I could while the getting was good (little did I know…). It’s a pedestrian effort in many ways but so were a lot of 80s slashers, and I still enjoyed those too. This movie is mostly saved by the decent murders and a wonderful Johnny Galecki who is always a treat. For the dudes, this movie might not have had any nudity but it was wonder-bra central and Jennifer Love Hewitt’s assets are certainly something to be admired.

Scream II (1997) – Personally, I like this sequel better than the original. Maybe it’s because Courtney Cox’s character was just SO much more interesting than Sidney (sorry Neve, but it’s the truth). This one took all the conventions of slasher sequels and made them feel fresh again. Do I agree with the death of Randy? No, but it goes to prove that no one is safe in these movies.

Halloween H20 (1998) – It’s not my favorite of the Halloween sequels (that’s reserved for Halloween 2), but reuniting Laurie Strode with her brother was a stroke of sheer genius. A low body count hampered the film but some great chance scenes made up for it. Halloween H20 also stayed true to the original, therefore doing itself more justice than some of the previous efforts.

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Flip Side of the Coin

If you haven’t been over to the delectable site Anchorwoman in Peril you should really check it out. Ross Horsley really gives some love to all things slasher, shark, anchorwoman or otherwise. He read my Slashers That Aren’t Slasher but are Still Slashers piece and came up with a great list of Slashers That Just Plain Ol’ Aren’t Really Slashers !

It’s an awesome list. Go check it out!

Also of note is a great list he’s got going called The Horror that Made Me, which is an unusual and amazing list. I mean, who thought Giant Spider Invasion would end up on ANY list!

Enjoy!!!

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The Forgotten Norman Bates

This is a look at Robert Bloch’s literary character that started the slasher genre. We all know the cinematic version of Norman Bates and his misadventures in later sequels, but Bloch’s literary Psycho trilogy is rarely mentioned in slasher circles.

The Norman Bates in Bloch’s 1959 novel is a heavy drinking, middle-aged man with three different personalities. First is little Norman, a mean child who hates women and anyone who tries to take away Mother. The second personality is Norma, the mother who protects little Norman by killing those who upset little Norman. Third is Normal Norman, a facade used to make folks think Norman is an intelligent, normal man. Bloch paints Bates as an overweight bookworm with a surly disposition. There are also a few sly hints that Norman dabbles in the dark arts. Nothing is made clear but his library is full of books on the occult and pagan cultures. It’s a thin thread but it does connect the first book with Psycho House, the last entry in the series.

Bloch’s Psycho II picks up twenty-three years after the first novel. This Norman Bates is free from multiple personalities but no less dangerous. Reading Norman’s thoughts can be a bit unnerving, it’s like looking into the mind of a wild, caged animal. Norman escapes from the asylum and heads for Hollywood to stop the filming of his life story. Before hunting down his old friends Sam and Lila Loomis, Norman spends some quality time with a dead nun.

Before his death, Robert Bloch took one last trip to the Bates Motel in 1990 with Psycho House. Norman is long dead and the Bates Motel has been turned into a tourist attraction. A demonologist and a true crime reporter try to solve a new series of murders. The demonologist is sure the evil that created Norman Bates has found a new host. Poor Norman is reduced to a cameo appearance as a robot that greets tourists when they enter the Bates Motel. Sadly, Norman’s cinematic twin suffered a similar fate when Universal filmed Psycho III and IV at their theme parks to attract tourists. Lucky fans could catch a glimpse of a gaunt, twitchy Anthony Perkins as they rode past the sets.

We all know the cinematic Norman Bates but his literary twin has been ignored since Robert Bloch’s death. I hope this look at the forgotten Norman Bates will spark some interest in Bloch’s novels. All three are worth reading and are full of twists and turns. I’ve skipped on many details about the books in order to avoid ruining Bloch’s surprises.

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When a Slasher isn’t a Slasher but is Still a Slasher

I have an article up right now at Horror Yearbook, and it’s brand new and it’s all exciting and stuff! Check out my Top Picks list for When a Slasher isn’t a Slasher but is Still a Slasher

Wil at HYB has been very cool and I’m excited to have something on their site!

Enjoy!

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Butcher Baker Nightmare Maker DVD Update

Here is an exclusive update on Code Red’s DVD of Butcher Baker Nightmare Maker (1983). Alternatively titled Night Warning, William Asher’s thriller/semi-slasher tells the tender tale of a teenager and his incestuously-powered murderess Aunt (Susan Tyrell). The skinny:

“We delayed BUTCHER BAKER NIGHTMARE MAKER from our October schedule for a reason: we were finally able to arrange it with Jimmy McNichol to do an on camera interview with him! Since he is busy and no longer lives in L.A., we weren’t able to have him participate on the DVD, but he contacted us, and told us he will be in L.A later this year, which we felt to have his on camera interview was worth delaying the release, as we felt the fans of the film would like to see how the 70’s teen idol is now, as well as what he has to say about the film! We hope you understand the last minute delay, and hope you feel it was the right decision.”

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The Mutilator DVD Takes A Fall Break

By sword, by pick, by axe, bye bye DVD anytime soon! Some news to report, Buddy Cooper’s beach-side slasher is currently up in the air as to the particulars of its distribution. That’s not to say the DVD won’t happen someday, it’s just not in the very near future.

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Maniac Cop 4 In Development

Good to know Officer Matt Cordell should soon be back in action, even better to know it’ll be in a sequel and not a redux. This from Fangoria, and I first caught it from a number of places – among them Maniac Cop.com which recently relaunched (give it a look!).

At this past weekend’s Anthology Film Archives screening of the first two films in the MANIAC COP series, director William Lustig broke the news that the franchise, on which he teamed for three movies with screenwriter Larry Cohen, will soon see a rebirth. “Larry and I have gotten the sequel rights back for MANIAC COP, and we’re preparing to do a MANIAC COP 4,” Lustig tells Fango. “I don’t have any more details other than that; this all happened within the last month, so it’s so fresh… When I get back to Los Angeles, Larry and I are going to sit down and work on something.” No doubt Lustig will be seeking more creative control than he had with the last installment, 1993’s MANIAC COP 3, which ran afoul of producer interference.

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Night Screams (1987)

It would be really easy to sit here and talk about the things in Night Screams that went wrong. So much of it isn’t very good technically. But it was 1987 and slashers were drifting away from the theater and were popping up more and more as direct-to-video efforts. It was an interesting time in the genre because filmmakers without a lot of technique or experience had a better shot of getting something produced and at the same time the same inexperienced filmmaker still had to have some of his wits about him because everything, for the most part, was still being shot on film. That meant things like blocking, lighting, effects and so on had to have a lot of care given to them.

It’s obvious that the writers of Night Screams were trying for something a little more original. A lot of the basic elements remain – a violent person released from a mental institution, a party at a desolate house, sexy hijinks, etc,… but a new element was added. Not only was one of the young party goers probably a notorious killer, but two escaped convicts were also stashing themselves away at the party. An interesting twist that is never fully realized, it’s still kind of neat little crinkle in the normally straight-as-an-arrow plotline.

It won’t take the viewer long to figure out who the guilty party is – one obvious clue is given away during the first set of murders. Still, do we really watch these movies for a twisty turvy mystery? Uh, if you do, then you’re probably really disappointed a lot! These kinds of movies are made to titillate, gross you out or hopefully, scare the pants off of you… Night Screams doesn’t really do any of these, but I’m giving them points for trying and I’ll tell you why… At the beginning of the movie the filmmakers inserted random scenes from Herb Freed’s chaotic slasher Graduation Day. The scenes are interspersed as its own movie so you never mistake it for part of the story. It’s a cheap way to add a bit of gore, but at least the filmmakers knew theyneeded more than what they had at their fingertips. They must have felt this way about the nudity as well because in a couple of scenes, random footage from a John Holmes porno appears! At first, it works because two of the characters are watching an adult movie, but then they go for a sexy sauna bath and a weird scene featuring a woman taking a shower appears! This footage was obviously taken from a 70s flim and it’s hilarious. So random! Still, I thought it was a fun idea.

Last, but certainly not least, the opening credits of Night Screams list about 4 actors and then introduce the Sweatheart Dancers! They showup in one random scene, dance and never cross the screen again! I love it. Their glittery sweatshirts were amazing!

So yeah, Night Screams isn’t all that good. However, it is entertaining. Maybe it’s more of an endurance test than other so-bad-they’re-good movies of this ilk, but still kind of fresh and fun. It might not be groundbreaking stuff, but it’s a pleasant diversion forthe discerning slasher fanatic.

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Great Googily Moogily!

You know how when Halloween approaches you wring your hands in cool anticipation of all the great horror movies that will either be playing in theaters, on TV or will hopefully find a home on DVD? Well, this year you’ve really got something to wring your hands to the bone about! The folks at DVD Drive-In have announced some awesome slashers coming our way to help celebrate All Hallows’ Eve.

On October 14th, BCI will be releasing a double-feature of Mausoleum and Blood Song!!! Both are rather obscure slashers that happen to be very entertaining. If you can’t get your fill of the Marjoe Gornter gorefest featuring a beautiful Bobbie Bressee with beastish breasts, then you might find some satisfaction in the eerie Blood Song which presents Frankie Avalon as a serial killer (!) and Donna Wilkes (Angel, Jaws 2) as the women with a psychic connection to him. Both films get the Amanda By Night seal of approval!

Also on October 14th, look for a director’s cut of Sweet Sixteen. This much maligned potboiler (when I say maligned, I mean by people who can’t enjoy a good slasher, of course!) has truly stood the test of time. Catch Dana Kimmel (Friday the 13th 3D) in her most spirited performance and a sexy Bo Hopkins as the guy who is supposed to solve the crime. Code Red has put together a lot of nice extras to go along with the movie.

There are also several other non-slasher horror titles coming out from BCI in October as well. Drop by DVD Drive-In for the list and start saving your pennies!

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