Something went down and the site rolled back to its week or so ago state, a restore is being worked on.
Update Dec 16: OK, I’ve got word I can continue updating the site. The older posts will be shoehorned at a later date in the near future.
Something went down and the site rolled back to its week or so ago state, a restore is being worked on.
Update Dec 16: OK, I’ve got word I can continue updating the site. The older posts will be shoehorned at a later date in the near future.
Slasher fans will be interested in the new trailer compilation from Synapse Films due to hit stores Jan. 27, 2009. This will be the first volume to feature trailers for slashers. Fans can expect to see: Mortuary (with Michael Berryman), Schizoid (Klaus Kinski), Silent Scream, New Year’s Evil, Humongous, The Town That Dreaded Sundown (one of my favorites), and Rituals.
I was going to buy 42nd Street Forever Vol. 4 anyway because I’m a fan of the series and have the first three volumes. But knowing the slashers will get some attention with Vol. 4 makes this edition more exciting. Check out www.synapse-films.com for more info.
Hot diggity, you can watch it with integrated deleted scenes, or separately. Can February get here fast enough? BTW, you can see publicity shots from some of the uncut scenes courtesy of Thomas Ellison a time ago.
What is there to give thanks for if you can’t give some love to the best Thanksgiving slasher ever, Home Sweet Home. OK, it’s the only Thanksgiving Day slasher I can think of but still, you get my meaning.
Now pass the stuffing… And have a great day, willya?
Every slasher fan worth their weight in heart-shaped candy knows exactly who has the legendary uncut scenes for My Bloody Valentine (hint: not a company). Yup. So, pretty hard for Lion’s Gate to bone this up. Mmm hmm.
“ShockTillYouDrop.com has received early word that Lionsgate is prepping a special edition DVD of George Mihalka’s 1981 slasher film My Bloody Valentine. Artwork is in, but details on the bonus material at this time is slim. We’re told deleted scenes may possibly be included – that’s a far cry from the bare bones release from Paramount a few years back.
The arrival of this special edition, of course, is to coincide with the January 16th bow of My Bloody Valentine 3D, so look for the DVD in stores on January 13th.”
Update (Oct 29th) from Fangoria’s Michael Gingold:
“It’ll include never-before-seen lost footage, which fans can only hope means the additional gore that was trimmed to appease the MPAA back in ’81. There will also be a retrospective featurette on the movie and an Ultimate Slasher interactive guide that covers the history of the subgenre.”
Update: Well what do you know, crying works… the uncut scenes are being edited back in!!
Featuring quite possibly the most annoying wisecracking slasher ever (pre-Freddy, too!), MPI bring Ovidio G. Assonitis’s Madhouse (1981) to DVD on November 25th.
Beautiful do-gooder Julia (Trish Everly) and her insane, hideously deformed twin sister Mary (Allison Biggers) have a hard time occupying the same room, let alone the same town, without Mary either brandishing a butcher knife or letting her giant killer dog come out to play. Their uncle, Father James (Dennis Robertson), presses for reconciliation but to no avail. With their mutual birthday fast approaching, Mary escapes from the local asylum. Soon thereafter, the bodies of Julia’s friends and students mount around her. But is Mary actually the killer?
I love the internets. You get to see things you ordinarily just wouldn’t be exposed to. Such as, this BBC documentary on the US slasher film. They have some pretty high profile interviewees, and take some alternative angles on some of the most well-known titles in the subgenre. Here’s part one on the embed above, follow your nose to find the rest – “the man” is ever present.

My favorite scene in the original Sleepaway Camp is the opening montage of the abandoned camp. The ghostly voices of phantom children mingle with rotted cabins, weed choked fields, and rusted swings producing an eerie sense of foreboding. By comparison, Return to Sleepaway Camp opens with a group of kids lighting their farts. Watching the next 60 minutes of Return to Sleepaway Camp becomes a grinding chore with a few moments of unintented laughs to break the oppressive mood. RtSC isn’t a complete disaster but the film’s major flaws really hobble what should have been a much better slasher.
Let’s get the flaws out of the way first before moving on to the highlights. The film spends way to much time focused on Alan (Michael Gibney), the most unsympathetic character I’ve ever seen in a slasher. The guy picks on kids then starts crying when others stand up to him or bully him back. This is where the first wave of unintended laughs comes in. I laughed everytime someone did something cruel to Alan. Watching Alan get slapped around, slimed with eggs, and pelted with paintballs helped relieve the boredom.
The characters and actors the viewer would rather see are reduced to cameo status. Paul DeAngelo and Vincent Pastore have a little more screen time, but they spend the extra time yelling at each other or the camp kids. As for the unknowns in the cast, hell, I can’t tell you their character’s names or what roles they play in the movie. Most of the cast simply vanish and are never seen again while other characters suddenly pop up towards the end with no explanation as to who they are or where they’ve been. The interviews on the disk help with some of the confusion because the actors discuss their parts in the film. At least RtSC becomes a little more coherent after watching the special features. I just wish I had watched the special features first.
Now for the highlights. The fact that RtSC exists is a positive for slasher fans. If this film does well, then who knows what other cult slashers might get a sequel. During the opening credits the viewer is bombarded with newspaper headlines. If you’re really quick with the pause button you can read the articles and some of them have important information. One article covers the boat accident from the first film and explains that the father died but the children are in critical condition. Does this mean Peter’s (Angela) sister survived? Another Headline claims “Arawak Victim to Undergo Life Saving Surgery” which makes me think Judy may have survived her run in with that curling iron. Other articles cover Peter’s trial and incarceration in a mental institution.
When the action finally kicks in during the last 15 minutes the viewer is treated to some creative kills with the stick in the eye bit being the most hilarious. Jonathan Tiersten’s performance has to be seen to be believed. Just thinking about his final line in the film makes me laugh. He lets out this scream . . . trust me, just watch the movie. You’ll see what I mean. And then you too will have a perpetual smile every time you think about his performance. Fans who enjoy a good drinking game with their slashers have a couple of options here. During the movie take a drink every time you hear the phrase “Your ass stinks.” If you watch the special features, take a shot everytime you hear Jeff Hayes ask an actor what it was like to work with Robert Hiltzik.
Return to Sleepaway Camp is a very flawed movie that could have been so much better. It feels more like one of those shot-on-video slashers from the mid-80s rather than an entry in the Sleepaway Camp franchise. Hopefully, the next sequel will avoid the same pitfalls that plague RtSC. One day I’ll add this movie to my collection but for now I’m content with just renting it. Be sure to check out www.sleepawaycampfilms.com for more news about RtSC and any future sequels.

Happy Halloween from Retro Slashers! I’ll be celebrating all weekend – because one day a year just isn’t enough. The Michael Myers flicks are the defaults to fall back on, but round this time of year I find solace in alternatives like the late Gary Graver’s Trick Or Treats (1982 – not to be confused with the 1986 heavy metal horror romp). Like 99.% of my favorite movies, a movie typically trampled on even by the genre-enlightened, it has an all-star cast, a sense of pure fun, and a near real-time pace for the progression of All Hallows Eve.