A Nightmare on Elm Street (2010): A mini review

The new Nightmare is much better than I expected despite a few flaws.  First with the bad.  The new Freddy make-up is awful and seems to change during the course of the film.  Sometimes Freddy resembles the killer in Popcorn, other times he looks a lot like the rich villain in Hannibal.  Jackie Earle Haley is not Robert Englund and it’s hard watching someone other than Englund play the character.  Nancy and her boyfriend are a couple of emo’s instead of fresh faced kids-next-door types.  The film is full of jump scares instead of building up to a scare.

Okay, now for the positive bits. Jackie Earle Haley as human Freddy is amazingly creepy and sleazy.  Freddy  is scary again, not a two-bit Henny Youngman impersonator with a bad complextion.  The glove is pretty bad-ass, the theater went ape-shit when it made its first appearance.  The story never slows to a bloody crawl like the TCM and F13th remakes.

I had an amazing experience watching this in a theater full of teens who weren’t even alive when the original Nightmare hit the big screen.  Listening to their screams and howls reminded me what it was like to see a slasher movie back in the 1980s.  The theater erupted in cheers and applause at the end.  I haven’t seen this kind of response to a horror film since Scream 2.  Maybe my views would be different if I’d  rented the dvd instead of seeing it in a theater, but I found the Nightmare remake to be entertaining and by far the best slasher remake Platinum Dunes has made.

Um, sorry if this mini review is rambling but I’m trying to leave out plot details on purpose.  Plus, I’m still buzzing off the heavy dose of nostalgia.

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New Sister Site: Scream-Trilogy.net

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Check out our new “sister” website for coverage of the now-retro SCREAM series – scream-trilogy.net

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Freddy Krueger’s A Nightmare on Elm Street magazine

In 1989 Marvel Comics gave Freddy Krueger is own black and white magazine.  The magazine only lasted for two issues due to the outcry from angry parents.  Marvel wanted no part of the controversy and cancelled the book before the sales figures for the first issue came in, at least that was the popular theory going around at the time.  Apparently, none of the angry parents noticed the “Illustrated Horror for Mature Readers” warning on the covers.  A third issue with a back to school theme was planned, the cover art can be seen at the end of the second issue.  Sadly, Freddy fans will probably never see that lost Nightmare story.

The two issues that did make it on to newsstands were written by Steve Gerber.  Tony DeZuniga provided the killer art work while Alfredo Alcala  handled finishes.  Rich Buckler also contributed art to the first issue but he’s missing from the second.  The beautiful covers are by Joe Jusko.

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Monsters Attack #2

mattack2Monster Attack! was a short lived black and white horror magazine published by Globe Communications, the same folks responsible for Cracked magazine, from 1989 to 1990.  Editor Mort Todd mixed horror stories from famous artists with articles on  horror films, directors, and monster icons.  Issue two featured a retrospective on  NOES 1-4 written by Kevin McMahon.  Along with reviews for each film McMahon explains how each film added to the growing popularity of Freddy Krueger.  The article and cover art were intended to capture  the attention of Freddy fans eagerly awaiting the release of NOES 5.  This wasn’t Freddy’s only appearance on a Monsters Attack! cover.  He can be seen on cover of the first issue, lurking behind a cadre of famous movie monsters.

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Fright Flicks

frightflicks1In 1988 Topps released Fright Flicks, a cards set featuring gory images from popular horror films.  It’s pretty clear Topps saw Freddy Krueger as the star of the set when one looks at a Fright Flicks box.  On top a grinning Freddy is flashing his claw hand with each blade piercing a card.  5 of the 11 stickers show Freddy and many of the cards in the regular set contain images from the first three Nightmare on Elm St. films.  Other images come from Fright Night, An American Werewolf in London, the first two Alien films, Predator, Cronenburg’s The Fly, Pumpkinhead, Day of the Dead, Ghostbusters, and Poltergeist.  The set consists of 90 picture cards with a short scary story on the back.  The backs of the 11 sticker cards  form a giant  horror poster when placed in the proper order.

The biggest problem with Fright Flicks is it’s damn near impossible to make a set when you buy a whole box.  The packs are notorious for containing multiple copies of the same card.  I know one poor guy who bought three boxes and still couldn’t build a complete set.   Fans were stuck with hundreds of duplicates unless they could find someone to trade with.  (I’ll trade you Bub for the one with Evil Ed getting stabbed with a table leg by Roddy McDowall.)  The good news for horror collectors is there are still plenty of Fright Flicks boxes and packs floating around.  Take a trip to a flea market, card shop, or comic book store and you’ll likely find a dust covered box in a forgotten showcase.

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Freddy Krueger Week Starts Today

freddy1Retro Slashers is celebrating the return of Freddy Krueger to the big screen with a week dedicated to the slasher icon.  We’ll showcase some of the Freddy merchandise that popped up during the height of Freddy Mania, offer a mini review of the New Nightmare hitting theaters April 30th, and keep you updated on the box-office returns as the results come in.

We also want your thoughts on the Nightmare remake.  Are you excited? Worried? Pissed off?  Let us know.  My biggest question is can Freddy Krueger survive without Robert Englund?  Is the character strong enough to keep going even after the man famous for the role has been replaced?  Some popular characters can continue on no matter who is playing the part.  Just look at all the different actors who’ve played Dracula, the Frankenstein Monster, Michael Myers, and Jason.  Norman Bates and the Psycho franchise, on the other hand, died with Anthony Perkins.  Next weekend’s box-office might tell us which category Freddy falls into.

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Updated: Robert Englund guest stars on Bones tonight

Robert Englund will make a guest appearance on tonight’s episode of Bones.  “The Death of the Queen Bee” has Booth and Bones investigating a death at a class reunion.  Englund will be a chief suspect (but a red herring I suspect) in the murder.  The commercial I saw featured Englund holding a really big hunting knife and gave off a slight slasher vibe along the lines of Prom Night and Slaughter High.  Bones airs at 8:00 p.m. EST on the Fox network.

Update: I hope slasher fans watched this episode because there were several slasher in-jokes.  Englund played Mr. Buxley, who’s name  is a play on the character Englund played in Eaten Alive.  He even used the same voice.  Mr. Buxley’s workshop contains Cropsy’s shears,  Jason’s machete and just about every other sharp weapon featured in a slasher kill.   There’s one reference to Mr. Buxley being “creepy like Freddy” and a character calls the murders “very teen slasher movie-ish.”  The soap opera elements among the regular cast members dragged on the story a bit but overall this episode was a hell of a lot of fun to watch.

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Retro Slashers is now Retro Mini Moni

Earlier this week Platinum Dunes, unhappy with the negative coverage their line of slasher remakes received on this site, bought the rights to Retro Slashers.  The new owners have one simple rule: NO MORE SLASHER COVERAGE OF ANY KIND.  So it is with great sadness that we must report Retro Slashers is no more.  But we are proud to announce the birth of our new website Retro Mini Moni and we hope our loyal readers will continue to visit this new site.  Sometimes change can be a sad thing but we are really excited about the new direction the site is taking.  Oh, if you could only see our faces you’d know just how excited we really are.

Future posts will include  performances by Mini Moni on Music Station (Mini Moni Telephone Rin Rin Rin) and Hello! Morning (Jankenpon).  We will also post the entire infamous episode of Do You Want To Get Some FUN Tonight featuring Ai Kago and Tsuji Nozomi’s profanity laced outburst directed at one of the  hosts.  Special thanks to Mr. Michael Bay for finding and sending us the rare footage.  The newest member of the Retro Mini Moni crew, Tokyo Vice author Jake Adelstein, is working on a series of articles describing Mini Moni’s cultural impact on Japanese fashion and Tokyo Go-Go Clubs.  And there are many more exciting posts and  interviews for all of you Mini Moni otaku in the very near future.

If you would like to get in touch with any of the Mini Moni ladies you can do so by clicking on the following links.  Just be sure to tell them Retro Mini Moni sent you.  We haven’t been able to track down Mika Todd so if any of you Retro Mini Moni fans know where she is or how to get in touch with her please drop us a line and let us know.

Mari Yaguchi:  http://ameblo.jp/mari-yaguchi/

Tsuji Nozomi: http://ameblo.jp/tsuji-nozomi

Ai Kago: http://biscuitclub.fc.yahoo.co.jp/

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Shock Festival DVD Review

The dvd companion to Stephen Romano’s excellent Shock Festival book is out now and it is a must have for slasher lovers, exploitation junkies, and movie nostalgia fiends.  If you grew up watching movies in 42nd Street grindhouses or southern drive-ins, then get ready for major flashbacks because Shock Festival brings back our childhood friends.  Vic Morrow, Christopher George, Klaus Kinski, Joe Spinell,  and many other stars who are no longer with us can be seen in these beautifully remastered trailers.  I’m a big fan of trailer compilations (I have all of the 42nd Street Forevers and a few of the horror comps from Something Weird and other companies) and Shock Festival is easily the best one in my collection.

Disc 1 starts with mock trailers based on some of the features in Romano’s book.  Some of these are sleazier than the real trailers that follow.  Next up is the exploitation trailer marathon which covers all the sploitation genres.  You get Italian Mad Max rip offs (1990: The Bronx Warriors), blaxploitation (Cornbread, Earl, andMe among others), jiggle fests (Titillation is a real stand out, just don’t let the wife and kids see that one), action, kung-fu, and everything else that was big during the 70s and early 80s.  There are two commentary tracks, one by Romano and one by Uncle Creepy, but these are hit and miss.  Romano’s track is rambling and rarely has anything to do with the trailer appearing on screen at the time.  Uncle Creepy acknowledges the action on screen but seems clueless as to the name of the films or actors involved.  There is one hilarious highlight when Creepy watches Duke Mitchell’s Gone with the Pope trailer.  His screams of terror are pure comedy gold.

If you’re a horror addict (like me) you’ll jump straight to disc two to check out the Ultimate Horror Marathon trailer collection.  You get slashers (Pieces, Maniac, Pranks, Hell Night, Toolbox Murders), animals attacking (Great White, Grizzly, Tentacles), Dario Argento (Deep Red, Cat O Nine Tails), sleazy gore classics (Mark of the Devil, Bloodsucking Freaks), and plenty of others.  Disc 2 also contains a compilation of vintage tv commercials and trailers for films produced by Sam Sherman.  Commercial highlights include spots for Four Flies on Grey Velvet, Suspiria, The Changeling (my favorite haunted house flick), and Evil in the Deep, a Jaws rip off narrated by William (Blacula) Marshall.  The best Sam Sherman trailers are for the Blood Island series and the Blood-O-Rama Shock Festival.  Romano’s commentary is more on track for this disc and I’m especially grateful for the info on Great White, a film I saw in theaters before it was banned from the US.

Disc 3 is a special mp3 disc featuring an unbelievable number of rare radio commercials for exploitation films.  Slasher fans will love disc 3 as it features ads for Visiting Hours, Twitch of the Death Nerve, Don’t Answer the Phone, Night School, two for Graduation Day, Maniac, The Town that Dreaded Sundown, and Motel Hell.  Other ads are for the super rare Screams of a Winter Night, Watch Me When I Kill, A Knife for the Ladies, a preview for Phantasm before the film went nation wide, and an Eyeball/Suspiria double feature.  This is barely scratching the surface folks since there is over three hours of radio commercials on this disc.  These radio ads are a bloody marvelous supplement to the trailer compilations on disc 1 and 2.

Shock Festival is an amazing compilation of trailers and deserves a place in the collections of exploitation fans.  Those of you who spent weekends at drive-ins and sleazy movie houses will get a massive nostalgia fix from these trailers.  If you grew up after the exploitation films died away, then Shock Festival will show you some of the cool things you missed out on.  Modern cinema is unbelievable boring when compared to this era of film making.  Hopefully, there will be more volumes of  Shock Festival dvds in the future.  I know I’m craving more editions.

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Terror Stalks the Class Reunion (1992) Review

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Get a load of that title… Did you ever hear anything that sounded more like a slasher movie? Unfortunately, Terror Stalks the Class Reunion isn’t a lost slasher – for a start, there’s no slashing – but, while part of me is writing this review to stop others repeating my mistake, it’s also worth pointing out that there’s a little something here to entertain slasher-fans looking for a fix slightly off the beaten track.

 

First off, Terror Stalks the Class Reunion is based on a Mary Higgins Clark short story and, as such, joins roughly fifteen other TV movies inspired by the works of “America’s Queen of Suspense”. Bar some atmospheric 70s offerings, the small screen isn’t exactly famed for its classic slasher output – and, fittingly, its thirty-year flirtation with Higgins Clark adaptations has resulted in nothing more than a barrage of glossy but middling potboilers that form the very definition of safe Sunday-evening viewing.

 

It’s interesting to note, however, that when a certain Sean S. Cunningham was looking to follow up his breakthrough Friday the 13th with something more mainstream yet still in tune with his slasher sensibilities, he turned to Higgins Clark. Her novel A Stranger Is Watching was the basis for the 1982 thriller of the same name, which allowed Cunningham to indulge his nasty streak with a succession of showpiece deaths built around a hostage scenario played out in the deserted depths of Grand Central Station.

 

Terror Stalks the Class Reunion is a similar tale of a kidnapped woman held prisoner by a lunatic. But where Stranger had an incomparably brutish Rip Torn as said psycho, here we get Geraint Wyn Davies as the once “Fat Tony”, who’s lost 110 pounds – along with most of his marbles – over the course of an eight-year obsession with his old teacher Kay (Kate Nelligan).

 

That’s where the class reunion connection comes in: Kay and her friend Virginia (Jennifer Beals) are in town for a get-together of staff and pupils from a US Army base school in Germany. Amidst the frivolities, Kay gets a message purporting to be from her husband and, heading back to her hotel, bumps into her former student in the parking lot… except the meeting was no accident, and Tony’s plans for his favourite teacher involve handcuffs, humiliation and a harrowing stint in an escape-proof cabin deep in the woods.

 

But don’t get too excited – Terror Stalks the Class Reunion is no horror film. There’s no Misery-style hobbling, no Captivity-like poodle-killing mindgames. Instead, there’s the threat of an enforced “marriage” performed by a videotaped priest on a TV screen, and a lot of time spent on a largely unrelated subplot about an escaped killer thought to be stalking the area. Tension mounts in the sequences where Kay (predictably) tries to escape from her shackles while Tony’s truck (inevitably) pulls up outside, and excitement peaks as the climactic wedding ceremony turns into a violent fracas involving concealed nail scissors and a gun hidden inside a Bible. But then everything goes up in smoke in an “explosive” ending that stops somewhere slightly south of satisfying.

 

Nelligan whimpers convincingly throughout but doesn’t really do anything to make you care about her character – which is probably more of a fault with the writing, considering the feeble nature of her escape attempts. Beals on the other hand has even less to do but manages to come across as smoking hot in a slightly gutsier role. On a sad note, Werner Stocker, whose local detective, Franz, is the only character with any real charisma, died from a brain tumour a year after filming.

 

Terror Stalks the Class Reunion is available on DVD in the UK under the far less fun but generally more apt title For Better and for Worse. Picture quality is pretty poor; in fact, if the DVD hasn’t been ripped from an old VHS (most likely the 90s US release) I’ll eat my hockey mask. The film’s just about worth a look if you like woman-in-peril movies but don’t go looking for slasher-movie thrills… There’s more to be found in National Lampoon’s Class Reunion.

 

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