Fangoria #300

Fangoria has reached a major milestone with its 300th issue available now.  Instead of the usual retrospectives common with special anniversary issues, editor Chris Alexander and friends compiled a list consisting of 300 major horror films.  Alexander admits his “intention” is to “inspire great debate amongst our readers.”  Slasher fans will be happy to find a few favorites (Halloween, Friday the 13th, Maniac, Deep Red, Black Christmas, Silent Scream) made the list, but several great slashers are missing (Where the hell is My Bloody Valentine, The Prowler, and The Burning?).  The biggest surprise about this landmark issue is some of the reviews are written by famous folks in the movie biz.  Werner Herzog offers up his thoughts on Freaks.  Vincent D’Onofrio reveals High Tension inspired him to make his slasher musical Don’t Go in the Woods.  Tom Holland offers up thoughts on Psycho.  Some really good, obscure horror films get some respect in this issue so it’s worth picking up if you’re a die hard horror or Fango fan.

Posted in Features | Tagged | 3 Comments

Creating Tom Savini’s Death in Maniac

Tom Savini seemed to have had an obsession earlier in his career with destroying heads. First, the scalp of a zombie was removed by a helicopter propeller in Dawn of the Dead, then Betsy Palmer was decapitated at the end of Friday the 13th, whilst Farley Granger would meet his demise at the end of a shotgun barrel in The Prowler soon after. Yet, perhaps his most memorable decimation of the head saw Savini playing the victim, as his face would explode from a shotgun blast whilst making out with a young woman in William Lustig’s grindhouse classic Maniac. Continue reading

Posted in Features | Tagged | 6 Comments

When Slashers Turn Nasty pt.1

The 1980s was a dark time for artistic freedom, with both music and movies being heavily censored by those that simply did not understand and were out of touch with what younger audiences found entertaining. Whilst musicians in the United States became targets of Tipper Gore and the Parents Music Resource Center (ranging from Judas Priest to Cyndi Lauper), it was horror movies that would fall foul of the censors in the United Kingdom, in what would become known as the ‘video nasties.’ Continue reading

Posted in Features | Tagged | 7 Comments

Severin DVD’s Double Serving Of Slashery

We’re playing catch-up with things in the new year so here is some overdue DVD news from Severin. You already knew Bloody Birthday was on the way, and you’ll be pleased to hear what the cover plans are. An unforgettable image for an unforgettable pint-sized slasher storyline. Also on tap from Severin is Nightmares (1980, aka Stage Fright) makes for a fine Australian apology for Houseboat Horror, mixing drama and horror – “A little girl named Cathy tries to keep her mother from making out with a man while driving one day, and she inadvertently causes her mother’s death in the car crash. 16 years later, Cathy has changed her name to Helen and has become a psychotic actress. Things are going fine until horrible things starts to happened with the cast of her new play.” Continue reading

Posted in Features | Tagged , , | 5 Comments

Wes Craven’s Dream Warriors

Although A Nightmare on Elm Street would become one of the most popular horror franchises of all time, even as production on the first movie came to an end during the summer of 1984, none of the principals involved had given any thought to the possibility of a sequel. Writer-director Wes Craven had forfeited his rights to the story and characters in order to finance the picture, whilst New Line Cinema had staked their entire company on the gamble that the movie would be a success. But as soon as the box office takings were counted, studio president Robert Shaye needed little convincing that a second film would be a sound investment. “I’ve been accused of fighting for movies that could have sequels but that wasn’t really the case. I just felt the ending to the movie didn’t send the audience out with any great excitement,” stated Shaye in the 2010 documentary Never Sleep Again: The Elm Street Legacy, regarding his decision to add a short epilogue that indicated the film’s antagonist, Freddy Krueger, had not been defeated. Continue reading

Posted in Features | Tagged | 6 Comments

Slashers and Urban Legends: The Baby-Sitter and the Man Upstairs

The Legend: After putting the children to bed for the night, a baby-sitter receives a strange phone call.  “Have you checked the children?,” the caller asks.  At first, the baby-sitter thinks the calls are from friends trying to scare her.  The stranger calls back later but now he asks,”Why haven’t you checked the children?”  Now the baby-sitter is really frightened so she calls the police who promise to trace the calls.  The real horror sets in when the police call back.  “Get out now,” yells the officer.  “The calls are coming from the upstairs extension.  The caller is in the house.”  When the police arrive, they find the children murdered in their beds and the gore soaked killer hiding in the bedroom closet. Continue reading

Posted in Features | 1 Comment

Retro Slashers Invites You To My Bloody Valentine Uncut Theatrical Screening At Alamo Drafthouse

Retro Slashers is teaming up with Blood Thirsty Thursdays for a theatrical screening night of George Mihalka’s 1981 Canadian ode to pick-axes, My Bloody Valentine (Review). Best of all, the print is UNRATED & UNCUT! Venue will be Alam0 Westlakes, San Antonio TX at both 8pm and 10.30pm on Thursday, Feb 10th. Tickets will be available at the Drafthouse website. Check out the flyer… Continue reading

Posted in Features | Tagged | 39 Comments

Misleading Slasher Trailers

Final Exam:  If you’ve ever seen the trailer for Halloween, then you may remember it ends with the line “The night HE came home.”  The trailer for Final Exam uses the phrase “HE’s come back!” twice in an attempt to trick movie audiences into thinking the two films are somehow linked.  No serious slasher fan is going to mistake Final Exam with Halloween. This trailer is aimed more at the casual horror fan looking for something to watch at the drive-in on a Saturday night.  Left out of the trailer is the fact we never find out who “HE” is or why “HE” is stalking college kids. Continue reading

Posted in Features | Tagged | 3 Comments

EXCLUSIVE: Code Red DVD To Release Ghostkeeper

Due to overwhelming demand from horror fans, Code Red has acquired the 1981 Canadian slasher film Ghostkeeper.

A trio of friends on a snowmobile trip in the Canadian Rockies become lost after venturing up a trail during a bad snowstorm. They stumble upon a seemingly abandoned hotel lodge and decide to spend the night, unaware of the grave danger that they have put themselves in.

Internet columnist Amanda By Night says, “this Canadian horror film is slasher and monster lite, but has oodles of snow and deep synthesizer sounds to keep you going. Like ‘Madman’, or more appropriately, ‘The Prey’.”

Director Jim Makichuk is on hand to create extras for this lost slasher.

Street date TBA.

Posted in Features | Tagged , | 12 Comments

Slashers and Urban Legends: The Slit-Mouth Woman

The Legend: A beautiful, young wife has an affair then taunts her impotent husband with details.  The husband becomes enraged, grabs a pair of scissors, and mutilates his wife.  After slitting his wife’s mouth from ear to ear, the husband asks “Who will find you beautiful now?”  Now, the woman roams Japan, a surgical mask over her face to hide her horrific visage.  If you meet her, the Split-Mouth woman will remove the mask and ask “Watashi kirei?” (Am I pretty?)  If you answer no, then she stabs you to death with a large pair of scissors.  If you say yes, then the Slit-Mouth Woman will let you live.  But before she lets you go she’ll carve your face up so you will have to go through life with similar mutilations.

The Slit-Mouth Woman, or Kucki Sake Onna, is the most famous urban legend in Japan.  During the late 1970s, school children picked up on the legend and the story slowly evolved so that children were the main target of the Slit-Mouth Woman.  Eventually, the legend grew so great that a national panic erupted in Japan.  Fearful parents and teachers walked terrified children to and from school everyday.  News outlets ran stories about the mysterious woman stalking the innocent.  Since “no” meant death and “yes” meant an end to your good looks, children were urged to reply “so-so” to the Slit-Mouth Woman’s question.  The reasoning was a neutral answer would protect them from harm.  After a while, the urban legend died down only to resurface in 2000.  Around 2004 the story jumped over to the Korean peninsula.  Apparently, the Slit-Mouth Woman prefers to chase Korean kids these days.

The film: Carved (a.k.a. Kuchisake-Onna).  Director, writer Shiraishi Koji changes the Slit-Mouth Woman’s back story which waters down the impact of the original urban legend.  Instead of an adulteress punished for her transgression by a jealous husband, the Slit-Mouth Woman is depicted as an abusive mother who receives the injuries from her son as the boy protects himself from his crazy mother.  The whole “Am I pretty?” seems out of place since the context of the question is missing from the film.  Shiraishi sees Slit-Mouth Woman as a supernatural child killer, sort of a female Nippon version of Freddy Krueger.  Despite screwing with the story, Shiraishi does a nice job of capturing the community’s escalating panic as Slit-Mouth Woman kidnaps more and more children.

Mizuno Miki, who plays the legend in Carved, is pretty damn brutal in this film.  When she isn’t hacking kids with her scissors, Mizuno is usually punching the snot out of the little booger eaters.  After eating knuckle sandwiches, the kids receive stomps and kicks for dessert.  All of this child abuse is hard to watch because the ten-year-olds are played by real ten-year-olds.  It’s not like watching twenty-somethings playing young kids in a US production.  Personally, I would’ve preferred seeing Mizuno slash away at more twenty-something couples and fewer scenes involving children in danger.

Posted in Features | 1 Comment